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Everything I Thought It Was is the highly anticipated new album from multi-talented entertainer, recording artist, record producer, songwriter and actor Justin Timberlake. This is Justin’s sixth studio album, and includes the first single “Selfish,” a pop infused offering driven by its infectious melodies and features the star’s iconic soulful vocals.

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The music on Deeper Well, the seven-time Grammy winner’s fifth album, is almost chimeric. Rolling acoustic guitars, puffy clouds of strings and synth, warm bass punctuations, layered harmonies, moments of Celtic melody and plenty of room on the tracks for Musgraves’ silvery vocals. On the bright, almost folky title track, the 30-something songstress surveys her life and priorities, recognizing what feeds her, drains her and even examines the childhood she’s left behind on her way to now.

Saturn returns, cardinals embody a dead friend, love is given and taken, streets rush by, belongings are packed and old chapters deserted, new love blooms, jade bracelets serve as talismans, deep lessons emerge, small details define everything, the woods are a refuge and New York City serves as the same gleaming beacon as Oz.

Kacey Musgraves - Deeper Well [Indies Exclusive Transparent Spilled Milk LP]
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The Black Crowes are leaving the bullshit in the past. Fifteen years after their last album of original music, the Robinson Brothers present Happiness Bastards - their 10th studio album. Some may say the project has been several tumultuous years in the making, but we argue it's arriving at just the right time. Call it brotherly love or music destiny that brought them back together, the highly anticipated record consecrating the reunion of this legendary band just may be the thing that saves rock & roll. In a time where the art form is buried beneath the corporate sheen of its successors, The Black Crowes are biting back with the angst of words left unsaid penned on paper and electrified by guitar strings, revealing stripped, bare-boned rock & roll. No gloss, no glitter, just rhythm and blues at it's very best - gritty, loud, and in your face.

Since The Black Crowes reunited in 2019, they've made a triumphant return to form with over 150 shows spanning 20 countries worldwide, celebrating the 30th anniversary of Shake Your Money Maker, the album that put them on the map. Upon their return from the road, they knew they needed something new to show for their lost time. The Robinson Brothers and longtime bassist Sven Pipien headed to the studio with producer Jay Joyce in early 2023 and the experiences of years past transcribed themself through the music as the band found their way back to their roots. And it's finally here - Happiness Bastards is out March 15, 2024.

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MUNA’s sophomore album, Saves The World has been reissued on vinyl due to popular demand. The album delivers the alt-pop anthems fans know and love including hits like “Number One Fan” and “Stayaway". Rolling Stone called it a “mastery of pop songcraft” and Pitchfork named it “pristine pop.”

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The cheekiest band in the land is back with ROCKMAKER. Recorded at their studio gone funhouse The Odditorium in Portland, OR, the “Bohemian Like You” and “We Used To Be Friends” hitmakers get heavy amidst apocalyptic moods. Accompanied by guests Debbie Harry, Slash, and Pixies’ Frank Black, ROCKMAKER is the Dandy’s most succinct album yet, at no sacrifice to their outré leanings. 

The Dandy Warhols - Rockmaker [Indie Exclusive Limited Edition Black & Clear Color-In-Color LP]
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Tierra Whack is a premiere rapper, musician and visual artist who is returning to the scene after a two-year gap in new releases. With collaborations with artists such as Beyoncé, Alicia Keys and Lil Yachty, Tierra has become a force to be reckoned with in the music industry. Her highly anticipated debut album, WORLD WIDE WHACK, is a follow-up to her critically acclaimed visual EP, Whack World. Tierra collaborated with fellow Philly native, conceptual artist, Alex Da Corte, on the visuals, artwork and creative elements of this album. Silver LP.

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Daniel Boeckner understands the grit and gravel that accumulates in the heart and that it takes an unwavering courage to crack through that clutter and burrow to the other side. And in Boeckner’s hands, that quest comes via post-apocalyptic synth and guitar heroism, a rallying cry for those always coming home through the scorched clouds. Throughout his work with Wolf Parade, Handsome Furs, Divine Fits, Operators, Atlas Strategic, and more, the iconic Canadian indie rocker recognizes that few feelings are more gratifying—more memorable, more generative, more abundant—than hope. But it takes getting the hell out of your own way. A culmination of that deep library of musical reference, Boeckner is set to release his first album under his own name: Boeckner!

No matter where his genre exploration has taken him, there’s something about growing up in punk and DIY spaces that puts collaboration in Boeckner’s blood. Composed of a collection of intimately familiar elements, Boeckner! elicits the same thrill of young passion and discovery. It’s a jet-powered chase through a tech-noir cityscape—fueled by a dream and that special someone in the passenger seat.

That urgency and passion have always been a trademark of Boeckner’s, and writing on his own pushes those feelings further into the center of the scope. But while Boeckner may be the clear driving force behind the album, he’s not without collaborators for his solo debut. After meeting producer Randall Dunn while contributing to the soundtrack to the Nicolas Cage-starring psychedelic horror film Mandy, Boeckner knew he’d found the perfect counterpart for his solo debut. “I’d been a fan of his forever, especially the Sunn0))) records he produced,” Boeckner says. “Working with Randall really unlocked some suppressed musical urges, things that I enjoy in my private life but don’t normally weave into what I’m releasing—like occult synth, pseudo-metal, krautrock, and heavy psych influences.”

That base allows Boeckner to thoughtfully weave between emotional imagism and more grounded storytelling. Throughout the record, his imagery delves into science fiction, but it’s charged first and foremost by experience. The trio of Boeckner, Dunn, and drummer Matt Chamberlain (Pearl Jam, David Bowie, Fiona Apple) formed a sort of dark engine for the album, and Chamberlain’s ingenious approach of triggering a vintage Arp synthesizer simultaneously with each drum track helped Boeckner shape the record’s atmosphere. That tense futurism was influenced by Boeckner’s time staying in Dunn’s Circular Ruin studio, a dusky, electronic aura burned into every track.

By the end of the album, Boeckner! eases from sci-fi epic into something more akin to a torched VHS copy of a John Cassevetes film, the chemtrails and nuclear fallout fading long in the distance. Like all good sci-fi, the emotion and pain hits home for the author and listener alike, and the genre flourishes bolster the human experience. In revealing more than ever before, Boeckner! ratchets up the musical intensity to unforeseen levels and hopes to find some peace at the end of the journey.

Boeckner - Boeckner! [Limited Edition Orange LP]
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In such turbulent times it's important to stand closely together as humanity instead of fighting each other. That's exactly what the new Firewind album 'Stand United' is about! In addition to societal problems and environmental issues, which are the main topic in ten new tracks, we are expecting the strongest masterpiece of band history. In line with the new release, the band around ex Ozzy Osbourne guitarist Gus G. and vocalist Herbie Langhans (formerly Avantasia) will spread their message of 'Stand United' all over Europe in spring 2024. Combined with MASTERPLAN they will play a big co-headliner tour, among Germany, France, Spain, Sweden and many other countries. 'Stand United' will be released on March 1st, 2024 - available as several limited splatter and marbled vinyl variations, CD digipak and digital version. Also available as Digipak CD.
Firewind - Stand United [Limited Edition Trans Natural/Black Marble LP]
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Ariana Grande -"eternal sunshine " Republic Records; Republic Records; Pop Version Title: [Ruby LP] EXPLICIT
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Visions is a vibrant and joyous 12-song set that finds Jones singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. It’s the yang to the yin that was Pick Me Up Off The Floor, Jones’ last album of new original songs which was released early in the pandemic lockdown of 2020 and foreshadowed many of the dark emotions of that period. Indie Exclusive "Sun-kissed" Orange Blend LP. Alternate Cover Art.
Norah Jones - Visions [Indie Exclusive Limited Edition Orange Blend LP Alternate Cover LP]
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Bleachers return with their self-titled new album, via Dirty Hit. The album is Jack Antonoff’s distinctly New Jersey take on the bizarre sensory contradictions of modern life, on his position in culture, and the things he cares about. Sonically, it’s sad, it’s joyful, it’s music for driving on the highway to, for crying to and for dancing to at weddings. There’s something reassuringly touchable and concrete about its sentiment: exist in crazy times but remember what counts. Vinyl variants include 4 bonus tracks. Indie Exclusive Blue 2 LP.
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Kim Gordon

The Collective [LP]

Vinyl: $31.98 UNAVAILABLE

Legendary musician and multi-disciplinary artist Kim Gordon returns with her second solo album, The Collective, which will be released March 8th on Matador. Recorded in her native Los Angeles, The Collective follows Gordon’s 2019 full-length debut No Home Record and continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin’s damaged, blown out dub and trap constructions playing the foil to Gordon’s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload.

"On this record, I wanted to express the absolute craziness I feel around me right now," says Gordon. "This is a moment when nobody really knows what truth is, when facts don’t necessarily sway people, when everyone has their own side, creating a general sense of paranoia. To soothe, to dream, escape with drugs, TV shows, shopping, the internet, everything is easy, smooth, convenient, branded. It made me want to disrupt, to follow something unknown, maybe even to fail."

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Luke Grimes self-titled debut album on Mercury Nashville features 13 tracks, including “Burn,” “Hold On,” and “Oh Ohio.” Known for his role as Kayce Dutton on the hit television series Yellowstone, Grimes has been making music for years. He closed out 2023 with a sold-out tour after playing fairs and festivals around the country, including Stagecoach, Pilgrimage Music & Cultural Festival, Under The Big Sky Festival, and more. Grimes grew up playing music in church as the son of a Pentecostal pastor. His father also laid the foundation for the music he loves, introducing him to the works of Johnny Cash, Merle Haggard, Willie Nelson and Waylon Jennings.

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Invincible Shield is the nineteenth studio album by British heavy metal band Judas Priest. Announced onstage at Power Trip festival in California, the new record marks the band's first release in 6 years, having recently celebrated 50 years in music and 50 million records sold. Judas Priest is Rob Halford, Ian Hill, Glenn Tipton, Scott Travis and Richie Faulkner. This 2-LP independent retail exclusive is pressed on red vinyl.
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Moor Mother is an American musician, poet, and interdisciplinary artist known for her avant-garde and experimental work. The Great Bailout is an expansive meditation that acts as a non-linear word map about colonialism, slavery, and commerce in Great Britain. Featuring guest contributions from Lonnie Holley, Angel Bat Dawid & Sistas of the Nitty Gritty, Vijay Iyer, Mary Lattimore, and more, it’s Moor Mother’s most uncompromising vision to date.

Moor Mother has gained recognition for her unique blend of spoken word, noise, and electronic music, addressing themes of race, gender, and socio-political issues. She hails from Philadelphia and has been an influential figure in the city’s vibrant arts and music scene. She has received critical acclaim for her albums, with reviewers praising her fearless approach to sound and her thought-provoking lyrical content on albums like “Jazz Codes” and “Analog Fluids of Sonic Black Holes”, showcasing her boundary-pushing sonic experiments.

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Following acclaimed Topical Dancer album with Charlotte Adigéry, here comes Letter To Yu, Bolis Pupul’s debut solo album, produced by fellow Belgians, Soulwax. It’s no coincidence that Bolis Pupul’s music sounds the way it does. Born in Belgium to a Chinese mother and Belgian father and raised in Ghent, Bolis’ electronica is a joyous cross-cultural assemblage. The creation of the album is built around Bolis’ trip to Hong Kong earlier this year, made to reconnect with his mother’s roots.

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Pissed Jeans has never been a band that goes halfway—they’re known for their feral vocals, biting lyrics, buzzsaw guitars, and unhinged live shows, and their sixth album, Half-Divorced is no exception. These songs skewer the tension between youthful optimism and the sobering realities of adulthood, and when viewed through frontman Matt Korvette’s scowl, everything takes on a level of violent absurdity.

Pissed Jeans’ notorious acerbic sense of humor remains sharper than ever as they dismember some of the joys that contemporary adult life has to offer, from helicopter parents to stolen catalytic converters to being $62,000 in debt. On “Seatbelt Alarm Silencer,” Korvette growls, “Call it a death drive but that ain’t fair / Drive implies I’m headed somewhere.”

Korvette, Brad Fry (guitar), Randy Huth (bass), and Sean McGuinness (drums) weren’t in any rush to finish Half-Divorced, which was recorded by Don Godwin at Tonal Park in Takoma Park, Maryland. “We’re not the kind of band that bangs out a new record every two years,” Korvette said. “Pissed Jeans is truly like an art project for us, which is what makes it so fun.” This lack of restraint rages within the songs that unexpectedly veer into classic hardcore punk territory—often coming in at under two minutes long and erupting like the “butane tank explosion” Korvette sings about in “Junktime.”

In the last song, “Moving On,” Korvette sneers, “Cheesing into my camera phone / Pretending that I’m not alone / Life’s the first thing that we all postpone.” One gets the sense that Pissed Jeans refuses to “postpone” life in quite the same way—life, like art, is something that happens now, not later.

Pissed Jeans - Half Divorced [Limited Edition Spotify Green LP]
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Liam and John have been friends for years but when Liam invited John to join him on stage at Knebworth in 2022 it reignited a long-running ambition of writing and recording an album together. The demos were written at John's home studio in Macclesfield and then recorded with legendary producer, Greg Kurstin and mixed by Spike Stent. Joey Waronker (Atoms for Peace, Beck, R.E.M.) plays drums on the album.

Liam Gallagher & John Squire - Liam Gallagher & John Squire [Indie Exclusive White Vinyl]
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180G TRANSLUSCENT TAN VINYL. Throughout their career, Caravan Palace has consistently defied musical conventions and genres, forging their unclassifiable, hybrid pop signature sound. Embraced by multiple communities (dancers, gymnasts, gamers, video animators...) who turned their songs into viral hits, the group has achieved enormous success, accumulating several billion streams across all platforms as well as an RIAA Platinum Certified Single with "Lone Digger". Their idiosyncratic soundscapes achieve the rare feat of being both leftfield and commercial.Gangbusters Melody Club, their fifth album is a joyous jigsaw puzzle of an album and their most dancefloor-friendly to date. The aim of the band was to stay streamlined, yet the trio pack more influences than ever before into their elegant earworm songs. The jazz and swing for which they became famous over a decade ago is back with a bang, alongside their love of House, Electronica and Big Beat. But don't be deceived by the infectious nature of the new songs, however. Dig deeper and you'll find that they're not what they seem on the surface. Underneath it's hypnotic mix of soul, swing, freaky funk, and French Touch, you'll find a complex, yet inspiring, narrative about jealousy, self-acceptance and confidence. Just like it's title, this is an album that's both funny and vintage, a club that is both a welcoming dance floor and a secret society.
Caravan Palace - Gangbusters Melody Club - Tan [Colored Vinyl] [180 Gram]
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Faye Webster’s songs are direct lines to the human subconscious, and Underdressed at the Symphony documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn’t flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there’s a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she’s navigating the contours of heartbreak itself.

Recorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on Underdressed at the Symphony by Matt Stoessel’s arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco’s Nels Cline, among many other crucial players. The title of the album refers to Webster’s post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second. “Going to the symphony was almost like therapy for me. I was quite literally underdressed at the symphony because I would just decide at that moment that that's what I wanted to do,” she says. “That's what I felt like I needed to hear. I got to leave what I felt like was kind of a shitty time in my life and be in this different world for a minute.”

That strain of lightheartedness with a melancholic backbone permeates the album, and is the major driving force behind “Lego Ring,” which features Atlanta multi-hyphenate Lil Yachty, the only guest voice on the entire album. Yachty’s ghostly warble floats just under Webster’s voice, jabbing through empty space, trembling over a low rumble of bass. The song is also a sort of release—a buoyant moment that cuts through the sadness. “I think I hit a point in songwriting during this record where I was just like, man, I said a lot.” Webster says. “I'm just going to sit down and sing about this ring that I really want. ”Like the rest of the album, Webster isn’t providing answers, nor is she on some epic journey of healing and self-care. Instead, she’s choosing to just live, to document heartbreak and ridiculous moments right next to each other, until they start to blur together, becoming real enough for us all to feel.

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Mannequin Pussy’s music feels like a resilient and galvanizing shout that demands to be heard. Across four albums, the Philadelphia rock band that consists of Colins “Bear” Regisford (bass, vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Marisa Dabice (guitar, vocals) has made cathartic tunes about despairing times. “There’s just so much constantly going on that feels intentionally evil that trying to make something beautiful feels like a radical act ,” says Dabice. “The ethos of this band has always been to bring people together.”

Their new album, I Got Heaven, which is out March 1 via Epitaph Records, is the band’s most fully realized recording yet. Over ten ambitious tracks which abruptly turn from searing punk to inviting alternative pop, the album is deeply concerned with desire, the power in being alone, and how to live in an unfeeling and unkind world. It’s a document of a band doubling down on their unshakable bond to make something furious, thrilling, and wholly alive.

Following the 2019 release of their critically acclaimed third album Patience, Mannequin Pussy returned in 2021 for their EP Perfect. They toured that release relentlessly and added guitarist Maxine Steen to the band’s official lineup. The band changed their entire creative formula, choosing to write together in the studio in Los Angeles with producer John Congleton , over slowly crafting tracks at home. “Everyone felt empowered to speak up about their own ideas to make this thing the best it could possibly be,” says Regisford.

Mannequin Pussy - I Got Heaven [Indie Exclusive Limited Edition Speciality Clear W/ Black Smoke LP]
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Playing Favorites is Sheer Mag’s third full-length and first with Third Man Records, the band capitalize on a decade’s worth of devotion to their own collective spirit—a spirit refined in both the sweaty trenches of punk warehouses and the larger-than-life glamour of concert halls—emerging with a dense work of gripping emotions, massive hooks, and masterfully constructed power-pop anthems. This is the record the Philadelphian rock and roll four-piece has always been destined to make. 

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Where’s My Utopia? is the follow-up to the Leeds band’s critically acclaimed debut record, The Overload, which arrived in January 2022. The new album is a co-production between Yard Act and Gorillaz member Remi Kabaka Jr. The album is out March 1, 2024, and features lead single “Dream Job,” which is out now. Indie Exclusive Orange LP with sticker sheet insert included.
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KULA SHAKER's new album 'Natural Magick' finds the band harnessing the power to cast their most potent spell yet, incorporating blazing psychedelic sermons, raga rave-ups, stardust-coated pop pearls and mood-enhancing mantras. "This chapter in the band's life is very much driven by live energy and that spiritual connection with the audiences which comes with it. We all agreed that the songs should be no longer than three minutes. There are no epics." (says Crispian) Reformed permanently in 2021 due to the return of keyboard wizard Jay Darlington, reuniting all four members of the band's classic line-up for the first time since 1999.The band became UK chart-toppers with 1996's debut album 'K' and '99's follow-up 'Peasants Pigs & Astronauts' saw them push the creative envelope prior to their premature dissolution. Having made a welcome return in 2007 with the self-funded 'Strangefolk', Kula Shaker have built towards the sonic summit.

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Expanded 40th anniversary edition of Violent Femmes' self-titled debut featuring the remastered album, plus B-sides, live sessions, and rare demos. Housed in a lift-top box with die-cut darkened window detail revealing the box contents, the set includes three 180-gram LPs plus a replica 7" single, along with a book featuring new liner notes by journalist David Fricke and interviews with the band. Includes the classic anthems “Blister in the Sun,” “Please Do Not Go,” “Gone Daddy Gone,” and “Add It Up.”
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Hurray for the Riff Raff (aka Alynda Segarra, they/them) announces their new album, The Past Is Still Alive, due February 23, 2024 on Nonesuch Records. The record represents a new phase of beginning in Segarra’s lauded evolution as a storyteller. Created during a period filled with grief, when they found inspiration in radical poetry, railroad culture, outsider art, the work of writer Eileen Myles, and the history of activist groups like ACT UP and Gran Fury, discovering a stronger, singular style of writing that felt like a long-awaited revelation. In each song, lyrics serve as memory boxes for Segarra to process their trauma, identity and dreams for the future. Segarra uses their lyrics as a way to immortalize and say goodbye to those they have loved and lost, to illustrate the many shapes and patterns of time’s passing, and honor both the heartbroken and the hopeful parts of themselves. Though the record was made in North Carolina and produced by Brad Cook (Bon Iver, Kevin Morby, Waxahatchee), the Bronx-born, New Orleans-based Segarra brings listeners to places far beyond, evoking vivid experiences of small shops and buffalo stampedes in Santa Fe, childhood road trips and Florida storms, struggles of addiction in the Lower East Side, days-long journeys to outrun the cops in Nebraska, and more. 

The followup to their acclaimed Nonesuch debut, Life on Earth—which landed on Best of 2022 lists from the New York Times, Rolling Stone, NPR Music, Mojo, Uncut, among others—The Past Is Still Alive sees Hurray for the Riff Raff reunite with Brad Cook, while further expanding their creative cast of collaborators. Anjimile, Conor Oberst and S.G. Goodman all join Alynda Segarra on vocals at various points throughout the LP, with a band of musicians including Cook, Libby Rodenbough, Matt Douglas, Meg Duffy of Hand Habits, Phil Cook, Yan Westerlund and Mike Mogis, who also mixed the album. 

The “nature punk” of Life on Earth marked a departure for Hurray for the Riff Raff, as they contemplated surviving and thriving amidst a world in crisis The Past Is Still Alive brings the focus back inwards. The arrangements are raw, the melodies direct and indelible, and the lyrics personal, yet largely rooted in family and community. There are love songs to real characters, locations and mythic figures like Sky Red Hawk (“Buffalo”), the first trans woman Segarra ever met (“Hawkmoon”), queerness and sacred spaces (“Colossus of Roads”), leaving home behind (“Snake Plant”), short-lived romances and the wisdom gained through chaos (“Vetiver”). Elsewhere, in the self-portraits painted on “Alibi,” “Ogallala” and other album highlights, Segarra reflects on the land they have traveled, the hardships witnessed and bravery gained while running away from everything and everyone they knew at age seventeen, hopping freight trains and hitchhiking across the country with a band of street urchins. 

In recent months, Hurray for the Riff Raff debuted a stage adaptation of their beloved 2017 album, The Navigator, based on their quest to reclaim their Puerto Rican identity. They also toured with Bright Eyes and First Aid Kit, performed for the Late Show with Stephen Colbert and NPR Music’s 15th Anniversary Concert, played festivals like Pitchfork and more. Next spring, they will bring the music of The Past Is Still Alive on the road, for a headline tour across the US, UK and EU, that they have partnered with PLUS1 so that $1 per ticket goes to supporting This Must Be the Place and their work to distribute Naloxone - the lifesaving medicine that reverses an overdose – at events across the nation.

Hurray For The Riff Raff - The Past Is Still Alive [Orange LP]
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Real Estate’s sixth full-length album Daniel was recorded in an ebullient nine-day spree in RCA Studio A, in Nashville with celebrated producer and songwriter Daniel Tashian. In 11 compulsively tuneful songs, they connect the uninhibited wonder of their earliest work with the earned perspective of adulthood.

Martin Courtney actually learned of Tashian through his daughter, who adored an album he’d produced, Kacey Musgraves’ Golden Hour. The band reached out and spotted an instant connection despite their distinct wheelhouses—the Grammy-winning Nashville country-pop guy who’d helmed several smashes and the Northeast indie rock quintet with narcotic guitars. Real Estate had been thinking about R.E.M.’s Automatic for the People and ’90s “soft-rock radio,” the background music of their youth. Tashian helped lead them back toward it, toward an improved edition of the less self-conscious band they’d been at the start.

Several days into recording, all five members of Real Estate were discussing album titles when someone suggested “Daniel,” simply because it seemed funny to bestow a human name upon a record. Was it for Daniel Tashian? Maybe. Was it a nod to The Replacements’ Tim? Possibly. Was it the sign of a band that has now been around long enough to take its music seriously without taking itself or its perception too seriously? Absolutely.

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Dume is a 16-song album (2 LPs) by Neil Young with Crazy Horse from 1975, recorded during the Zuma recording sessions. It includes tracks and outtakes from Zuma. This album is included as CD #8 CD in Neil Young’s Archives Volume II. This is the debut release on vinyl. The D2C/Indie format includes a litho of the album cover.

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DUST BOLT are returning with their new modern metal album SOUND & FURY with an huge impact of Thrash Metal vibes, heavy guitars, rolling drums and true metal vocals! The band is known for their clear statements and their great commitment, for example, they support Fridays for Future.
Dust Bolt - Sound & Fury [White/Black Marbled LP]
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Offering fuzzy grunge-pop with doses of shimmering synths and emo angst, Ned Russin co-fronted Title Fight before halting in 2018 & Ned began playing music as Glitterer. Now a full band, Glitterer returns with Rationale combining 90s grunge, capital-R riffs a la The Stooges, & a keyboard lead that gives self-depre-cating melodrama., After relying more on synths for the entirely solo, home-recorded Glitterer LP in 2017, he involved collaborators on the crunchier Looking Through the Shades in 2019. This trend toward driving indie rock grit with ‘90s influences continued on 2021’s Life Is Not a Lesson and now Rationale.

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For the first time ever, BTS’ highly successful mini album Love Yourself 轉 'Tear' is now available on vinyl! Featuring the group’s hit songs “FAKE LOVE” and “The Truth Untold (feat. Steve Aoki),” Love Yourself 轉 'Tear' landed on the top of the charts across the globe upon its original release in 2018. Contents of this vinyl album package include a 12” Vinyl, Outer Sleeve, Booklet, Hologram Photo Card Set (incl. 7ea), Post Card and Sticker Set (incl. 2ea). Product Dimensions: 316 x 316 x 6 mm.

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“I’ve been wanting to make a record like this for a long time. The band, Franny and I produced it ourselves in my living room with no adults present. It’s all acoustic, not an electric lick on the album…banjos and mandos and string basses and stripped-down drums. I put a ton of work into the tunes and I’m pretty proud of this batch. Had a little help from my old co-writing pal Jaida Dreyer on a couple, also wrote a good one with my screenwriter buddy, Brian Koppelman. Lots of gambling songs and lots of minor keys. And my band guys absolutely killed it too, they’re all badasses.

I’m dedicating the record to my old compadre, Ian Tyson, who passed away a few months back. I’ve named the album for him as well. ‘El Viejo’, or ‘the old one’ is what our mutual friend Tom Russell took to calling him in later years. The title track is a pretty special one for us.

We had a blast making this thing, and we hope you enjoy it too.” 

- Corb Lund 

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REMO DRIVE, the longstanding project of brothers Erik and Stephen Paulson, want you to feel something. Following a six-year run of pristine emo-influenced rock ‘n’ roll records comes Mercy, the band’s fourth album and third for Epitaph. It’s the band’s most lyric-focused offering to date, a record about reinvention, trusting yourself, and wearing your heart on your sleeve even when it’s painful or vulnerable.

Sonically, Mercy is also a major departure for REMO DRIVE. It’s less indebted to the emo and pop punk that foregrounded the duo’s career and instead invested in thorny, baroque indie pop byway of Father John Misty and Fleet Foxes. It was produced by Phil Ek, a legendary Seattle-based indie rock producer who has previously worked with those two bands as well as the Shins and Band of Horses, among others. REMO DRIVE worked with Ek over the course of ten days. “It was refreshing to work with Phil,” says Erik, “It made music feel like how it did when we were younger. He was like fuck it, let’s go, let’s have fun.”

Mercy is a study in intimacy, in being real with yourself, in entering an exciting new creative chapter where you are making the art you really want to make. That’s where REMO DRIVE is today.

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I DONT KNOW HOW BUT THEY FOUND ME's second album, GLOOM DIVISION, is a glimpse into the mind of Dallon Weekes. Produced by Dave Fridmann (Tame Impala, MGMT), the album is the follow-up to iDKHOW’s Razzmatazz (ft. the #1 Alternative Radio single "Leave Me Alone"), & an EP ft. the gold record "Choke.” The most autobiographical work to date from Weekes (formerly of Panic! At The Disco), GLOOM DIVISION leaves listeners with the same sense of euphoric fascination that sparked the album’s creation.

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Sir Rod Stewart and Jools Holland with his Rhythm & Blues Orchestra present the exquisite Swing Fever - a 13-track sparkling salute to the timeless songs of the big band years, reignited by two giants of their craft.
For the first time, Britain's new partners in swing have united on record to share their peerless dexterity on a tribute to such truly great songs as 'Ain't Misbehavin’, 'Frankie And Johnny’, 'Sentimental Journey' and 'Lullaby Of Broadway’.

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GRAMMY- NOMINATED R&RHOF INDUCTEE AND GUITAR LEGEND ACE FREHLEY ANNOUNCES THE RELEASE OF HIS NEW STUDIO ALBUM, 10, 000 VOLTS, DUE OUT ON FEBRUARY 23, 2024. PRODUCED BY ACE AND STEVE BROWN (TRIXTER), THE 11-TRACK 10, 000 VOLTS SEES ACE PERFORM ELECTRIFYING, HARD-HITTING, RIFF-HEAVY ROCK'N' ROLL. Rock 'n' roll and heavy metal simply wouldn't sound, look, or feel the same without Ace Frehley. Among hundreds of accolades, The Rock and Roll Hall of Famer inducted him in 2014 as a co-founder and the original lead guitarist of Kiss. Guitar World named him in the Top 15 of it's "100 Greatest Heavy Metal Guitarists of All Time" and plugged the lead from "Shock Me" on the "50 Greatest Guitar Solos of All Time."
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Based on the 2018 Broadway musical adaptation of the 2004 film, the MEAN GIRLS soundtrack features songs from a number of the movie’s stars including Reneé Rapp as Regina George, Angourie Rice as Cady Heron, Auli’i Cravalho as Janis ‘Imi’ike, Avantika as Karen Shetty, and more. Also featuring the single “Not My Fault” by Reneé Rapp with rap superstar Megan Thee Stallion.

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The Vault: Old Friends 4 Sale is a collection of previously unreleased songs from Prince’s legendary vault that was released by Warner Bros. Records in 1999, shortly before the release of his studio album Rave Un2 the Joy Fantastic with the brief liner note: "The enclosed material was written during the period beginning 1/23/1985 and ending 6/18/1994 and was originally intended 4 private use only."

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Post Malone - The Diamond Collection - Rap/Hip-Hop - 2 LP Vinyl

2 LP set on metallic silver vinyl.

Global superstar Post Malone holds the record for most RIAA Diamond-certified singles in history. The Diamond Collection is a compilation of his top hits to date, including "Congratulations (feat. Quavo)," "Sunflower" with Swae Lee, "White Iverson," and more. The physical release includes the Diamond-certified hits as well as additional tracks. 2 LP set on metallic silver vinyl.

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Known as the biggest K-Pop girl group in the world, TWICE is back with a new album titled With YOU-th which tells the members' tight sisterhood and unbreakable bond, providing a glimpse into their radiant youth together. Includes hit song “I GOT YOU.” Contents of the album include a CD, Cover, Photobook, Envelope, 3-Cut Photo (random 1 of 3), Photocard (random 5 of 45), Film Photocard (random 1 of 9), Letter Poster (random 1 of 9), Sticker, Poster and Photocard Set. Dimensions: 210 x 150 x 9 mm.
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Legendary indie-rock band Grandaddy has announced a brand new studio album Blu Wav set for release February 16, 2024 via Dangerbird Records. A prolific storyteller, Jason Lytle is inspired by the overwhelming beauty of nature to the mundane moments that spark life’s strongest memories. Introducing pedal steel into the band’s repertoire for the first time, buoyant lead single “Watercooler” comments on the dichotomy of both. It was inspired by having his own outdoorsy rock guy (in both senses of the word) lifestyle while his partner had an office job. Lytle shares, “Most of my relationships have involved girls who worked in office settings. This song is about the end of one, or perhaps a few, of those relationships. Listeners will also notice the pedal steel on this track and eventually on many others from the forthcoming new album. It’s a first for Grandaddy, and I couldn't be more thrilled about this fact.” With the album title Blu Wav meant to be a literal mash-up of “bluegrass” and “new wave”, the new collection has a distinct feel, a uniform vibe, and a somewhat unexpected sound. It was conceived as Grandaddy maestro Jason Lytle was driving through the Nevada desert, and Patti Page’s "Tennessee Waltz" came across the classic country station on the radio. He was immediately intrigued by the possibilities of what it might sound like to keep the slow sway and sweet, simple lyrics of the bluegrass waltz while adding layers of dense synthesizers and the electronics of new wave. It incorporates the lo-fi lushness and sometimes-psychedelic orchestration Grandaddy is known for with Lytle’s first foray into true country. Seven of its 13 songs are waltzes, and as Lytle notes, “there’s an inordinate amount of pedal steel.” Grandaddy recently celebrated their legacy with a series of 20th anniversary reissues including the acclaimed Sumday Twunny box set which earned a Pitchfork ‘Best New Reissue”. Lytle also contributed vocals to a posthumous Sparklehorse album by request of his friend and fellow psychedelic pop auteur Mark Linkous’ family. Grandaddy has released five official LPs, most recently 2017’s Last Place. Grandaddy members include Jason Lytle, Aaron Burtch, Jim Fairchild, Tim Dryden, and the late Kevin Garcia, who passed away in 2017.

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Lil Peep - Crybaby 1st Press 45rpm - n interviews that followed the release of Crybaby, and even afterwards during press runs for HELLBOY as well as Come Over When You're Sober Pt. 1, one of the most consistently asked (and answered) questions that would be thrown at Peep usually teetered around the lines somewhat of "aye Peep, love what you've been doing with your past couple of projects man, but what's the deal with that massive Crybaby tattoo you got on your forehead?" - To which, he would typically answer, "I got the Crybaby tat to keep me grateful, to remind myself that even if I'm going through a lot, there are kids across the world that don't even have clean water or know when their next meal will be, so I got it to remind myself that I need to be grateful for what little I have, and to keep pushing through for those who can't." - With this context now surrounding the whole ethos of this project, it seems fitting that the whole mixtape essentially focuses on Peep's hopes, dreams, and overcoming the emotions that ever so powerfully bled through nearly every song on here one way or another. Whether it's through the haunting coke lines on "Lil Jeep" and the Radiohead-sampled "Falling 4 Me", or through the ambitious glimpse into the future that initially got him signed in the first place with the Smokeasac-produced signature track "Nineteen", he flips blatant samples and turns them into his own songs. For example, there's a borderline "Wonderwall' cover (and hear me out on this one) in the shape of "Yesterday," where he paints a bleak picture of getting out of a toxic environment with the chorus "Change my name, shave my head // Tell my friends that I'm dead, run away from the pain // Yesterday is not today, it's not the same," that winds up adding to the source material more often than it taking away anything. - More notably though perhaps, is that he never conveys a sense of giving up when singing/rapping about any of these topics, and that only aids the sense of triumph found in moments all throughout the record. While it may seem like Peep is promoting all of the wrong things, what people don't seem to realize is that he never condones it; it's almost as if he's telling the listener to not make the same mistakes as he did, which eventually led to his untimely death just over a year later.

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Chelsea Wolfe’s latest album, She Reaches Out To She Reaches Out To She, is a rebirth in process. It is a powerfully cathartic statement about cutting ties, as well as an important reminder that everything we do is ultimately connected.
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"On RAT WARS, HEALTH, are not only making the heaviest, most genre-obliterating music of their career, they’re documenting just how insane it feels to be alive right now. It’s The Downward Spiral for people with at least two monitors and a vitamin D deficiency. “RAT WARS” is a definitive statement on the insanity and the insipidness of contemporary life. "

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The music of Atlanta trio Omni has always swung fast and hit hard. And Souvenir, their fourth album and second for Sub Pop, packs their biggest punch yet. Inactive during the majority of the pandemic–the longest downtime in their history–they approached this recording with lots of pent-up energy. Guitarist Frankie Broyles, singer/bassist Philip Frobos, and drummer Chris Yonker converted their creative fuel into sharp, driving songs that land immediately, sporting chopping riffs, staccato beats, and wiry melodies.

Why does Souvenir sound so sharp? Because each track is a compact unit that stands on its own, reflecting the time and place in which it was created. That’s why Omni called the album Souvenir: it’s a collection of audio objects, a stash of musical miniatures. Think of it as a family photo album, a binder of rare playing cards, a shoebox holding precious gems.

Take “Plastic Pyramid,” the first song Omni wrote after coming out of lockdown. Filled with twists and turns, it’s a journey unto itself, charged by clanging chords, spinning rhythm, and Frobos trading lines with Izzy Glaudini of Automatic, with whom Omni toured with last fall. (Glaudini sings on two other Souvenir tracks, the first guest vocalist the band has collaborated with). Or take opener “Exacto,” a slicing web of intertwined guitar and bass. Its razor-fine notes and syncopated beats perfectly match pointillist Frobos lyrics such as “Exacto, de facto, concise, quite right”–a line that could well be an Omni mantra.

The precision and clarity of Souvenir comes from some new Omni developments. For one, this is their first album with Yonker as their full-time drummer, and his forceful playing adds exclamation points to every pointed moment on Souvenir. In addition, the trio worked with Atlanta-based engineer Kristofer Sampson for the first time. Sampson pushed the band to a higher degree of power, with Frobos’s vocals more upfront in his pulsing mix and the rest of the music leaping out of the speakers.

You might notice that Frobos’ singing is a bit more emotional and even nostalgic this time around. In crafting his vocals, he was inspired by the early college radio rock of formative favorites like REM, the Cure, and Big Audio Dynamite–the kind of bands whose melodies could have been top 40 hits in an alternative universe. The lyrics on Souvenir are also by turns funny, absurd, and even cryptic. A wry humor has always coursed through Omni’s songs, and this time, it comes in shades of both dark and light. In “Granite Kiss,” an “astronomical” love story concludes with the hope that “we can decay together,” while in “PG,” a romantic walk in the park includes a rose-colored mugging.

Immediacy rushes throughout every moment of Souvenir, making it the band's most powerful album to date. Omni has truly crafted a musical keepsake–a set of songs that you’ll want to keep close, an aural memento you'll cherish for the rest of time.

Omni - Souvenir [Silver Souvenir Swirl LP]
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Voir Dire, the momentous album by Earl Sweatshirt and Alchemist, undoubtedly represents the long-awaited convergence of two rap titans. Earl's personal and intricately woven wordcraft, along with Alchemist's treasure trove of obscure, captivating samples, combine to create an artistic chemistry that permeates "Voir Dire" (which translates from French to "Speak Your Truth"). Earl accomplishes just that as he delves into the analysis of specific phases of his life, particularly in the past where his reflections resonate with immense potency, meticulous detail, and profound insight. The album features notable Los Angeles wordsmith Vince Staples on two tracks and esteemed rap artist, MIKE. On Voir Dire, unmatched lyricism and remarkable maturity take center stage, while personal experiences such as new fatherhood emerge and evolve over stripped-down, spacious Alchemist production — culminating in what many consider to be the best rap album of the year.

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Usher has changed music, culture, and countless lives. The multiple GRAMMY Award-winning diamond-selling international megastar, actor, dancer, entrepre- neur, and philanthropist inspires change yet again in 2023 and beyond. Selling over 80 million records worldwide and collecting dozens of awards, he has simultaneously lit up the small screen on NBC’s The Voice and the big screen in blockbusters such as Hustlers. He has also tirelessly distinguished himself as a devout humanitarian, raising tens of millions of dollars for various causes and uplifting youth via his New Look Foundation. Since 1999 he has been providing opportunities for young people in underserved communities and enabling them to flourish and achieve seemingly impossible dreams. A true outlier, he is equally at home on the stage of his sold out My Way Las Vegas residency as he was on a 2016 government cultural mission to Cuba as part of President Barack Obama’s Presidential Committee for Arts and Humanities. This album marks the creative reunion of Usher and L.A. Reid, who haven’t worked together since 2004’s Diamond certified Confessions. The album was mainly recorded in Atlanta, GA with many of Atlanta’s hottest producers including Sean Garrett, Lil John, The Avila Brothers, Mel & Mus, Tricky Stewart, Rico Love, The-Dream, Jermaine Dupri, D Mile among many others.  USHER is the 2024 Apple Music Super Bowl LVIII Halftime Show Performer.

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There’s a double meaning to the title of What Now, the revelatory new album from Brittany Howard. “With the world we’re living in now, it feels like we’re all just trying to hang onto our souls,” says the Nashville-based musician and frontwoman for four-time Grammy Award-winning Alabama Shakes. “Everything seems to be getting more extreme and everyone keeps wondering, ‘What now? What’s next?’ By the same coin, the only constant on this record is you never know what’s going to happen next...”

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TANGK is, at its core, a love album. Open to anyone who requires something to shout out loud in order to fend off any encroaching sense of the void, now or forever. TANGK is a bona fide pop record in a way we’ve never heard from IDLES before, that is, something for everyone to pass around and share, communal anthems intended for overcoming our grievances. The word - pronounced “tank” with a whiff of the “g” - began as an onomatopoeic reference in-studio for the sound of a guitar tone, but has grown into a sigil for living in love. Joe sings on TANGK in a way we’ve never heard before, completing his transformation from post-punk firebrand into soul singing evangelist. TANGK was co-produced by Nigel Godrich, Kenny Beats, and IDLES guitarist Mark Bowen.

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Grief Chapter is an album with songs rooted in mortality, grief, and living fearlessly. Tracks like “Nobody Escapes,” “To My Heart,” and “Head Shrink” are sure to ignite their devoted legion of fans, and undeniable alt-rock anthems “Explode!,” “Days,” “Normalize” and “The Matrix” will sound at home on festival stages and amphitheaters they’ll be headlining in the US next summer.  The album was produced by Mother Mother frontman Ryan Guldemond, and mixed by the revered Rich Costey.

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"The Glorification of Sadness" is more than an album about relationships. The celebration of finding your way back after leaving a long term relationship, being empowered even in your failures and taking responsibility for your own happiness. It is her most personal album to date, drawing on her own experiences with Paloma acting as the anchor to direct a deeply personal narrative and album.”

Produced by award winning producer and composer Martin Wave and co-written with JKash, Andrew Wells, Ellie King and Charlie Puth. It has ALL the makings of a new era of Paloma. It’s confident. It’s cinematic. It’s empowering. It’s compelling from beginning to end, all powered by the kind of anthems that transformed her into an icon. The single is about finding the confidence of walking away from a relationship and being empowered with your own happiness, its limitless expression of pop allows it to sit comfortably next to Paloma’s many chart successors and then some.”
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You may think you know the story of Jennifer Lopez, one of the most written about women in the world, but This Is Me…Now shares the real story, a piece of her soul, and she is doing it in her own inimitable style. Jennifer Lopez’s long awaited musical experience THIS IS ME…NOW begins with the release on February 16th, 2024 of This Is Me…Now: The Album and This Is Me…Now: The Film inspired by the music. The album, written and produced by Jennifer Lopez and Rogét Chayed, along with Angel Lopez, Jeff "Gitty" Gitelman, HitBoy, Tay Keith and INK among others, effortlessly blends R&B, contemporary pop sounds and hip-hop beats. Her signature vocals, combined with intricately crafted lyrics delve into the highs and lows of life, love, and relationships with unflinching honesty and introspection, making this Jennifer Lopez’s most honest and personal album yet. 

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Madi Diaz has been making records and writing songs professionally since the mid 2000s, but it wasn’t until she released 2021’s History Of A Feeling that she felt the glare of wider notoriety. It wasn’t her debut album, but it certainly felt like it. She made her daytime and night time television debuts, embarked on her first solo tour since 2012, and supported Waxahatchee and Angel Olsen on tour, and also collaborated with them on record. Harry Styles handpicked Diaz to open for him in arenas and stadiums in North America, and was so taken by her captivating live show, he asked her to be a member of his touring band, to sing alongside him all over Europe and the UK, as well as continuing to open the show in various cities. After three months on the road touring internationally, Diaz is back in Nashville, and gearing up to release her new album, Weird Faith, perched on the precipice of her moment. Featuring Kacey Musgraves and produced by Sam Cohen and Konrad Snyder, the album feels expansive and exploratory, showcasing her growth as a songwriter and speaking earnestly about the fears that come from falling in love again.
Madi Diaz - Weird Faith [Indie Exclusive Limited Edition Opaque Green LP]
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10th Anniversary Expanded Deluxe Edition of The Marshall Mathers LP2. It features 11 bonus tracks, including B- sides and instrumentals. Originally released on November 5, 2013, the album serves as a sequel to The Marshall Mathers LP released in 2000. It features the singles “Berzerk,” “Survival,” “Rap God,” “Headlights” and “The Monster,” which reached #1 on the Billboard Hot 100. The album won Eminem a record sixth GRAMMY Award for Best Rap Album and is now certified 4x platinum. 4 LP set on 180g black vinyl.

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Kali Malone’s anticipated new album “All Life Long” is a collection of music for pipe organ, choir, and brass quintet composed by Kali Malone, 2020 - 2023. Choral music performed by Macadam Ensemble and conducted by Etienne Ferschaud at Chapelle Notre-Dame-de-L’Immaculée-Conception in Nantes. Brass quintet music performed by Anima Brass at The Bunker Studio in New York City. Organ music performed by Kali Malone and Stephen O’Malley on the historical meantone tempered pipe organs at Église Saint-François in Lausanne, Orgelpark in Amsterdam, and Malmö Konstmuseum in Sweden.

Kali Malone composes with a rare clarity of vision. Her music is patient and focused, built on a foundation of evolving harmonic cycles that draw out latent emotional resonances. Time is a crucial factor: letting go of expectations of duration and breadth offers a chance to find a space of reflection and contemplation. In her hands, experimental reinterpretations of centuries-old polyphonic compositional methods become portals to new ways of perceiving sound, structure, and introspection. Though awe-inspiring in scope, the most remarkable thing about Malone’s music is the intimacy stirred by the close listening it encourages.

Malone’s new album All Life Long, created between 2020 - 2023, presents her first compositions for organ since 2019’s breakthrough album The Sacrificial Code alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass. Over the course of twelve pieces, harmonic themes and patterns recur, presented in altered forms and for varied instrumentation. They emerge and reemerge like echoes of their former selves, making the familiar uncanny. Propelled by lungs and breath rather than bellows and oscillators, Malone’s compositions for choir and brass take on expressive qualities that complicate the austerity that has defined her work, introducing lyricism and the beauty of human fallibility into music that has been driven by mechanical processes. At the same time, the works for organ, performed by Malone with additional accompaniment by Stephen O’Malley on four different organs dating from the 15th to 17th centuries, underscore the mighty, spectral power that those rigorous operations can achieve.

All Life Long simmers in an ever-shifting tension between repetition and variation. The pieces for brass, organ, and voice are alternated asymmetrically, providing nearly continuous timbral fluctuation across its 78-minute runtime even as thematic material reiterates. Each composition’s internal framework of fractal pattern permutations has the paradoxical effect of creating anticipated keystone moments of dramatic reverie and lulling the listener into believing in an illusory endlessness. On an even more granular level, the historical meantone tuning systems of each organ used, and the variable intonation of brass and voice, provide further points of emotional excavation within the harmony.

The titular composition “All Life Long” appears twice on the album, first as an extended canon for organ and again in the final quarter, compactly arranged for voice. In the latter, Malone pairs the music with “The Crying Water” by Arthur Symons, a poem steeped in language of mourning and eternity. For organ, “All Life Long” moves with a patient stateliness, the drama concentrated in moments when shifting tonalities generate and release dissonance and ecstasy. For voice, each word is saturated with feeling, the singers swooping gracefully downward to capture the melancholy of the narrator’s relationship to the timeless tears of the sea. “Passage Through The Spheres,” the album’s opening piece, contains lyrics in Italian pulled from Giorgio Agamban’s essay In Praise of Profanation. In it, Agamban defines profanation as, in part, the act of bringing back to communal, secular use that which has been segregated to the realm of the sacred, a process Malone enacts each time she performs on church organs.

This is not music of praise, or of spiritual revelation, but it is an artistic enactment of translating the indescribable. It carries the gravity of liturgical chant, and its fixation on the infinite, but draws its weight from the earthly realm of human experience. A music that draws the listener into the present moment where they can discover themselves within the interwoven musical patterns that can come to resemble the passage of days, weeks, years, a lifetime.

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Hailed as "the reigning heavyweight champions of Southern rock" (No Depression), Atlanta-based quintet Blackberry Smoke is back with their 8th studio album, Be Right Here, produced by Dave Cobb. Be Right Here follows 2021's You Hear Georgia, which was the best-selling Country and Americana/Folk album in the country, entered at #7 on the Billboard Rock Albums chart and #4 on the Billboard Top Albums chart. Released to critical acclaim, No Depression praised the band for being “as much students of singer-songwriter-folk and outlaw country as they are of jam-based, chest-pumping rock,” ” while Guitar World declared "Many try to reproduce that holy grail, golden-era-of-classic-rock sound through their six-string escapades, yet only a handful ultimately succeed. One such band who succeeds in spades is Blackberry Smoke, whose most recent album You Hear Georgia serves up 10 tracks of pure rock ‘n’ roll bliss.”

In addition to Blackberry Smoke—Starr (vocals, guitar), Richard Turner (bass, vocals), Brit Turner (drums), Paul Jackson (guitar, vocals) and Brandon Still (keyboards)—the album also features background vocals from longtime collaborators The Black Bettys.

Blackberry Smoke - Be Right Here [Indie Exclusive Limited Edition Golden Birdwing LP]
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The highly anticipated follow up to Zara Larsson’s 2021 album Poster Girl, comes new album VENUS. It includes singles “Can’t Tame Her, and “On My Love” with David Guetta, both of which hit #1 at US Dance Radio. With its elevated sound, eclectic style and unifying visuals, VENUS verifies Zara Larsson as one of modern pop’s most essential stars.

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The Dead South grow more adventurous and assured with each new album. For their fourth full-length record, they brought producer Jimmy Nutt to Mexico City, where they recorded 13 songs full of plot twists, family trees, grudges, insurance scams, bacon, burials, banjo riffs and more. The Dead South flawlessly execute banjo rolls and lightning fast mandolin tremolos, 3-part harmonies and songs of classic themes -murder ballads, disloyalty, ghosts and the like, with a wink and a smile. Where Bluegrass meets Bach meets Billy Talent, for fans of Frank Sinatra and Tool alike, you’ll find The Dead South’s Chains & Stakes. Chains & Stakes is truly a “Dead South” collection in the balance of darkness and levity that has come to define their unmistakable style.

The Dead South - Chains & Stakes [Indie Exclusive Limited Edition LP]
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David Nance & Mowed Sound, the first album by Nance to be released on Third Man Records, cuts deep. Memories sprout back, like the sounds of a great rock song blasting from the neighbor’s truck as it revs away into the night. There is a definite connection to the past, but the swinging guitar boogie and snarled blues you might expect from Nance and company sounds leaner and completely hypnotic. What remains are 10 tracks from a well-oiled group so rhythmically together that the songs on the album seem as connected as links in a chain.

David Nance - David Nance & Mowed Sound [Indie Exclusive Limited Edition Green LP]
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Sam Cooke

Sam Cooke’s SAR Records Story [4LP]

Vinyl: $64.98 UNAVAILABLE
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SAM COOKE'S SAR RECORDS STORY (1959-1965) / VARiOUS - Originally released by ABKCO as a 2-CD set in 1994, Sam Cooke's SAR Records Story 1959-1965 is now available on vinyl as a 4-LP set. This collection gathers significant recordings of SAR Records - the label Sam Cooke co-founded, produced the majority of records for and was instrumental in operating. Groundbreaking artists such as The Sour Stirrers, Johnnie Taylor, Billy Preston and Bobby Womack's group, The Valentinos, are all featured - in addition to Sam himself.
Sam Cooke - Sam Cooke’s SAR Records Story [4LP]
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What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, “J's week beats your year.”

What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. “When I'm writing for the band,” he says, “I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened.”

Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, “Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones.”

Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on “I Can't Find You,” where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew “Doc” Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, “Your Feel,” he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads.

What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly recognizable approach to making music.

So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him.

–Byron Coley

J Mascis - What Do We Do Now [Clear Purple LP]
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“The band was once described as a 'fucking nightmare' to be around, whilst we are lovely people we do embrace the chaos that comes with all of this so found it fitting to title our next album as such. The songs themselves mainly follow this theme but relate to all aspects of life. Lyrically, it is more of the same... no metaphorical meanings, no fantastical story telling, no pretentious bollocks.... Just tales of a life lived as it will always be.”

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To celebrate the 50th anniversary of the 1973 album, Band On The Run, this special edition was cut at half-speed on 180g vinyl using a high-resolution transfer of the original master tapes by Miles Showell at the legendary Abbey Road Studios. This tracklist mirrors the U.S. release which includes the song, “Helen Wheels.” Also included is a reproduction of the Linda McCartney Polaroid poster.

Paul McCartney And Wings - Band on the Run: 50th Anniversary [Half Speed Master LP]
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The second of two limited edition box sets that are a comprehensive, chronological overview of The Rolling Stones’ early career as chart toppers. Contains 18 authentic reproductions of the original 7” 45 RPM singles in full color picture sleeves, a 32-page book with extensive liner notes by Rolling Stones authority Nigel Williamson, plus set of 5 photo cards and a poster, all housed in a hard-shell box.  

Features the rare 1971 Decca “Street Fighting Man” maxi-single, non-LP B-sides “Long Long While,” “Who’s Driving Your Plane?” and “Child Of The Moon,” and rare mono mixes of “We Love You” and “Dandelion,” which are exclusive to the single release. Mick Jagger’s “Memo From Turner” and the Ry Cooder instrumental “Natural Magic” from the film Performance, as well as the Neptunes and Fat Boy Slim remixes of “Sympathy For The Devil” are also included. 

The Rolling Stones - The Rolling Stones Singles 1966-1971 [Limited Edition 18x7in Single Box Set]
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The Who By Numbers is their 7th studio album, produced by Glynn Johns and released in October 1975. A powerhouse record, the album reached Top 10 on both side of the Atlantic. It contains the standout tracks “Slip Kid,” “Substitute” and “Squeeze Box.” The Who By Numbers is now available on black LP as a superior vinyl half cut master. Engineered at Abbey Road Studios by Miles Showell from tapes prepared by Jon Astley and packaged in original sleeve with obi stripe and certificate of authenticity.
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Quadrophenia is the 6th studio album by The Who, released in October 1973. The band’s 2nd rock opera is often regarded by many as their best album. Delve into the intricate story of Jimmy, a mod coming to terms with life head on. Quadrophenia is now available on black 2 LP as a superior vinyl cut half-speed master. Engineered at Abbey Road Studios by Miles Showell from tapes prepared by Jon Astley and packaged in original sleeve with obi stripe and certificate of authenticity.
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A 4-LP set, Music Box: 30th Anniversary Expanded Edition presents the original album Music Box in its entirety on Disc One with the noteworthy addition of "Everything Fades Away" (previously available only as an international bonus track).  Discs Two and Three premiere a variety of previously unreleased tracks including "Workin' Hard,""All I Live For (Extended Version),""My Prayer,""Hero (2009 Version),""Anytime You Need A Friend (Extended Mix,") "Music Box (A Capella)"and two live performances from Top of the Pops: "Dreamlover"and "Without You." Disc Two also includes Mariah Carey's duet with Luther Vandross on "Endless Love"as well as two brand new remixes from Grammy Award nominated DJ Terry Hunter: "I've Been Thinking About You"and "Workin' Hard."  Disc Four, "Mariah Carey Live at Proctor's Theater, NY - 1993" presents Mariah's complete showcase for the first time and features eight previously unreleased concert performances.  (The Proctor's Theater performances of "Hero"and "Dreamlover"are the only two previously released tracks from the concert.)

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A true heiress of the rich musical history of her native New Orleans, Britti is an arresting new voice in her triumphant debut, Hello, I’m Britti. Inspired by musical luminaries from Diana Ross to Dolly Parton and influenced by contemporary legends from Beyoncé to Sade, the album is one of immense gravity and a personal love letter to the place she calls home. Signed, co-written, and produced by Dan Auerbach, the album is fresh and wondrous, with a levee-like hold on her own heritage.
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Mellow War is Taylor McCall’s 2nd studio album and first production project. This album was co-produced by Taylor McCall and Sean McConnell. This album features Taylor’s late grandfather during his days in Vietnam on the cover as well as the intro track, “Sinking Sand”, from his days as a pastor. His mother also is singing in the choir. Mellow War explores the balance of good and evil, destruction and healing and the importance of having faith in the darkest of times.

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From the Dolls-meets-the-devil opening title track to the desperate Sister Lovers-adjacent finale "The Findings," The Interrogator is thirteen vibrant, crackling, scary and hilarious songs which taken together represent nothing less than a thorough and thrilling moral inventory of our decadent and depraved times. Following up and doubling down on the themes of last year's lionized cult favorite For Executive Meeting, Elizabeth Nelson has authored an album as politically potent and pointedly hilarious as antecedents like The Mekons’ Rock 'n' Roll and Neil Young's on On the Beach and wed it to the sound of ZZ Top's Eliminator. As writers like Rob Sheffield and Robert Christgau have known for years Elizbeth Nelson has been one of our very best songwriters for going on a decade. On the charged anthem "Bad Day for the Group Chat" she reassesses the current state of affairs: "I have bested all my peers.”

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The Smile’s new album Wall Of Eyes, will be released on 26th January on XL Recordings. The new album, was recorded between Oxford and Abbey Road Studios, and is produced and mixed Sam Petts-Davies. It features string arrangements by the London Contemporary Orchestra. Wall Of Eyes is the follow up their 2022 debut LP A Light For Attracting Attention
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THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES (MUSIC FROM & INSPIRED BY) IS THE OFFICIAL SOUNDTRACK TO THE HIGHLY ANTICIPATED NEW FILM IN THE HUNGER GAMES SAGA. THE SOUNDTRACK WAS EXECUTIVE-PRODUCED BY NINE-TIME GRAMMY®-WINNING PRODUCER DAVE COBB (CHRIS STAPLETON, BRANDI CARLILE, STURGILL SIMPSON) AND FEATURES “CAN’T CATCH ME NOW”, WRITTEN AND PERFORMED BY OLIVIA RODRIGO.

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Maddie’s 2022 EP, You Might Not Like Her, marked the end of a chapter for Maddie at the same time it marked a beginning for her fans, a teeter-totter of an experience for the singer-songwriter who, at the time of its release, had moved on to writing a new body of work about a new chapter in her life. Having left behind the Boise church community where she long served as a worship leader to move to Los Angeles where she came out as queer and explored what that meant to her for the first tangible time, inspiration was flowing at a moment when some of her most meaningful songs were bringing her back to the past she’d left behind. “It was such a weird whiplash to see people connecting with those songs on such a deep and meaningful level knowing that I’d already processed everything within them months and months ago,” she says. “It was like everyone listening to the songs I was performing was 12 months behind my own healing process – and it was even wilder performing them knowing that I had so many more, newer stories I was just waiting to be able to share.”

Now That I’ve Been Honest lays bare those stories in chronological order, a raw, triumphant, honest and refreshing personal story in her debut album that signals the arrival of one of music’s most important new voices. As sonically textured and layered a debut you’ll find, Now That I’ve Been Honest professes to be a coming-of-age story detailing Maddie’s life since moving to Los Angeles, while continuing to build upon the sound foundation of her early work and the community she’s created and fostered in her music. “The EP was me in a lot of ways deconstructing who I was,” she says. “The album is me saying, ‘Well, now that we've gotten that taken care of…’” The digital album was released October 20th.

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TWS - TWS 1st Mini Album 'Sparkling Blue' (Lucky Ver.) - K-Pop CD

New K-Pop Boy Group out of PLEDIS Entertainment has officially debuted! TWS (24/7:WITH:US) is here with their first mini album titled `Sparkling Blue' - available in 2 versions: Sparkling and Lucky. Consisting of 6 members, the concept of TWS is sparkling, non-toxic and friendly with refreshing and catchy music. Contents include: CD, Outbox, Photo Book (120 pgs), 2 Stickers, Polaroid, Name Tag, Photo Card (random 1 of 6). US/EU Retail Exclusive: Group Postcard.

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Strawberry Shortcake Splash LP (Indie Exclusive). The Menzingers are an absolute institution. The Philadelphia punk legends' multi-decade reputation as road warriors with an unbeatable catalog is cemented as hard truth-and their seventh album, Some Of It Was True, stands as their most immediate-sounding and energetic record to date. The follow-up to 2019's sensational Hello Exile accomplishes the daunting task of capturing the Menzingers' distinctive live energy in the confines of the studio, resulting in a sound that's both rich, raw, and complementary to the group's increasingly prismatic songwriting approach. More than 15 years in, the Menzingers are still holding their listeners square in the immediate present, and Some Of It Was True documents that power in thrilling fashion.

"We wanted to make a fun record and write songs that we wanted to play live, and that's exactly what we did," co-vocalist/guitarist Greg Barnett says "We've always said that we want every album to sound live, but we never recorded an album live before. This was the first time we committed to that idea. We wanted to sound like how our band sounds onstage." Making the process easier: Grammy-nominated producer Brad Cook (Bon Iver, the War on Drugs, Waxahatchee), who joined the Menzingers in El Paso's legendary Sonic Ranch studios and lent his incredible ear for raw, immediate sound to help the band achieve Some Of It Was True's in-the-room live feel. "The Menzingers are as real as it gets," Cook says on his time in the studio with the band. "I had an absolute blast working with these guys and was moved to tears many times. They are truly dedicated to artistic growth, and to each other, in ways I found both refreshing and beautiful. I am now a lifer."

The Menzingers - Some Of It Was True [Indie Exclusive Limited Edition Strawberry Shortcake Splash LP]
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Polaroid Lovers is the 7th studio album from four-time GRAMMY winner Sarah Jarosz. Produced by Daniel Tashian, Polaroid Lovers is a bold creative statement that sees Jarosz exploring new sonic territory. The 11 songs on the album, all co-written by Jarosz with songwriters including Tashian, Jon Randall, Ruston Kelly, and Natalie Hemby, touch on themes both personal and universal: love, longing, and finding one’s place in the world.

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Blue Raspberry is Katy Kirby’s follow up to her renowned debut album Cool Dry Place, which came out in February 2021. Singer/songwriter Katy Kirby introduced her warm, articulate vocals, perceptive lyrics, and playful adult-alternative style on her debut album as she toured tirelessly supporting bands like Waxahatchee, Andy Shauf, Julia Jacklin and Alex G.

That record was a tried-and-true folk collection, perfectly displaying the chops of a young songwriter and emanating the warm feel of a band in a room; Blue Raspberry, made with the same band and producers (Logan Chung and Alberto Sewald) , hits the gas and enters completely new territory as we see Katy truly step into her own as a songwriting force. She fearlessly leans far into baroque piano pop on tracks like ‘Redemption Arc’ and the title track ‘Blue Raspberry’, and lyrically she explores themes of loss and queer love. Very few are able to capture the same emo- tional, theatrical magic of artists like Fiona Apple, Tom Waits and Joanna Newsom but Katy pulls it off on this record; standout ‘Drop Dead’.

Katy Kirby - Blue Raspberry [Indie Exclusive Limited Edition Crystal Clear LP]
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Mac Saturn

Hard To Sell [LP]

Vinyl: $22.98 UNAVAILABLE
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Bursting out of Detroit Rock City and hailed by The Michigan Daily as "the past, present, and future of rock n' roll," Mac Saturn has grooves at its heart, playing with a buoyant energy that makes dancing a command rather than an option. As drummer-turned-frontman Macc -- who sings everything with the assurance and swagger that’s as much Harry Styles as Mick Jagger -- puts it: “The songs are rock, but they’ve got that other thing going on — that funky, dancey, Motown, whatever you want to call it — that makes them our own thing.”

The six-piece covered a lot of ground on its last year's debut EP Until the Money Runs Out, from the hip-swiveling “Diamonds” and “Mr. Cadillac” to the urgent punch of “Persian Rugs." Since then, they've become known for their electrifying live shows that harken back to the glitz and glam of 70s rock stars. Their own sold-out headlining shows are packed with fans singing along with every word - even to songs that haven't been released yet - and their tours with The Struts and Dirty Honey have only inspired more people to enter Mac Saturn's orbit.

A vibrant and irresistible earworm, "Mint Julep" is the first single off their upcoming debut album, Hard To Sell (releasing January 2024). The album was produced by The Rust Brothers - aka Al Sutton, Marlon Young, Herschel Boone - at Rust Belt Studios (Greta Van Fleet, Electric Six, Mark Foster) and mastered by Bill Skibbe (Jack White, Franz Ferdinand, Wallows).

Mac Saturn - Hard To Sell [LP]
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A fifteen song cycle that takes a journey to the center of the self. Ty’s been on this kind of trip before, so he’s souped up a vehicle that’s all his own – a sophisticated machine – to take us there this time. The conception of Three Bells arcs, rainbow-like, into a land nearly beyond songs – but inside of them, Ty relentlessly pushes the walls further and further in his writing and playing to cast light into the most opaque depths.
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NCT 127 Winter special single ‘Be There For Me’ comprises a total of 3 songs, including the title track of the same name, ‘Home Alone’, and ‘White Lie’. 127 STEREO Ver. is available in 2 versions: A Side and B Side. 127 STEREO Ver. includes a *Photobook(72p), *CD, *Polaroid, *Post Stamp, *Postcard *Sticker and *Photocard. (*Assets unique to each version).
NCT 127 - Winter Special Single ‘Be There For Me’ [127 STEREO Ver.]
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Blood, Hair, And Eyeballs - Alkaline Trio / New album produced by Bill Stevenson of All, Descendents, Black Flag, whose credits include As I Lay Dying, Rise Against, NOFX, Against Me! And many more-Guest appearance from Tim of Rise Against! - Alkaline Trio

Alkaline Trio - Blood, Hair, And Eyeballs [Indie Exclusive Limited Edition Black/Bone LP]
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Frank Carter & The Rattlesnakes return with their fifth studio album, 'Dark Rainbow' - set for release on 26 January 2024. The Rattlesnakes have built a reputation for blistering anthems that owe as much to brooding desert rock as it does hardcore and power-pop. They’re redefining punk-rock with a sound that straddles eras and genres, putting The Rattlesnakes in a category all their own, while also challenging tired cliches and setting the world to rights.

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Remastered reissue of acclaimed singer-songwriter John Moreland's sophomore album, In The Throes (2013), featuring "Break My Heart Sweetly" and "3:59 AM"

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Introducing Office Dog, hailing from Otepoti/Dunedin and residing in Tamaki Makaurau/Auckland. The trio, led by Kane Strang on guitar/vocals, alongside Rassani Tolovaa on bass and Mitchell Innes on drums, present their debut album Spiel — out January 26, 2023 via New West Records Records. Assembling intricate musical collages, Office Dog fearlessly explore the depths of complex emotions through layers of tension, release, and celestial lyricism. 

Office Dog formed in 2021. Amidst a busy solo career, front-person Kane Strang sought a more collaborative musical outlet. He teamed up with fellow musicians and previous collaborators Mitchell Innes and Rassani Tolovaa, and the trio began writing together across various locations in Tamaki Makaurau/Auckland. Over the next year, fragments began assembling into songs, ultimately culminating in the creation of Office Dog’s debut full-length album, ‘Spiel’, recorded in collaboration with producer De Stevens at Roundhead Studios and mastered by Jonathan Pearce (The Beths). 

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“For each of these songs, I just sent over a lead vocal and a piano and Hammock reinvented these songs in way that only they could do,” explains YELLOWCARD vocalist/guitarist Ryan Key about A Hopeful Sign, the new collaboration with the Nashville-based post-rock duo. Set for release on February 9, 2024 via Equal Vision, the new album revisits some of the alt-rock band’s most memorable tracks and reimagines them in a neo-classical and ambient space, deconstructing the songs and rebuilding them as a whole new aural experience. The first single from the album, “Ocean Avenue,” takes the band’s signature hit and metamorphosing the song from a pop-punk anthem to a contemplative and delicate piano-led ballad. “Yellowcard is in a new place where we are collaborating with other artists more than ever before,” says Key about this new musical partnership. “I have found Hammock in my top three most played artists every year for nearly a decade now. Hammock are one of the defining and most pioneering artists in the post rock and ambient space. We have taken so much inspiration from their work over the years so first becoming friends, and then unexpectedly getting to work together on new music were dreams come true.”

Reflecting on the tracklist on A Hopeful Sign, he adds, “I still can’t quite believe it’s real, that we were able to create an entire album with a band that has had such a massive influence on us. Whether it is one of our well-known songs or a deeper cut, these versions bring with them completely new interpretations and meanings for listeners who have lived with them for so many years. During the six years that Yellowcard was apart, I was constantly searching for ways to continue my career as a musician and producer. I had the idea to basically do Yellowcard covers featuring friends and artists I’ve had the pleasure of knowing throughout my career. The first artist to reply and complete a collaboration was Hammock with their reworked version of ‘Empty Street’.”

The nine-track album pulls tracks from 2003’s Ocean Avenue (title track, “Only One”), 2006’s Lights And Sounds (“Waiting Game”), 2007’s Paper Walls (“You And Me And One Spotlight”), 2012’s Southern Air (title track, “Telescope”), 2014’s Lift A Sail (“Transmission Home”) and 2016’s Yellowcard (“Empty Street”, “A Place We Set Fire”).  “It is such an honor to have worked on ‘A Hopeful Sign’ with such talented humans, and this record will be something we cherish forever,” says Ryan.


        
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